Michael Douglas and Matt Damon are incredible in this biopic of the
iconic performer — check out the five reasons this HBO production is one
of the best made-for-TV movies ever!
Behind The Candelabra was the cable event of the year, and it absolutely did not disappoint.
Michael Douglas stars as the flamboyant entertainer Liberace, and
Matt Damon dumbs
down as his secret young lover, Scott Thorson. In a movie designed to
be as decadent as possible, there are many moments we are totally
obsessed with and have to analyze. Check out our favorite parts below,
and be warned of SPOILERS AHEAD!
Liberace & Scott’s Love Scenes
Liberace had a healthy sexual appetite, and Matt and Michael pull no
punches in the graphic sex scenes. Although the actors’ strongest
moments come through the emotionally tortured moments in the film’s
third act, their portrayals of physical love are so brave.
Incredible Costumes & Hair
The film pays tribute to the late-’70s and early-’80s time period
through an over-the-top recreation of the style. Much like Liberace
himself, the rhinestone-studded outfits and feathered coifs absolutely
DEMAND your attention.
Rob Lowe’s Magical Face
The
Parks and Recreation star is hilarious as Liberace’s
seedy plastic surgeon, Dr. Jack Startz. Jack’s role becomes increasingly
sinister as he gets Scott hooked on drugs, but his most important
character trait is some freakish plastic surgery of his own. Just look
at this lovely mug:
The Spellbinding Musical Numbers
Although his personal life was a mess, Liberace was undoubtedly a
gifted pianist and entertainer. It was great to get glimpses into the
spectacle that was one of his performances, and Michael once again
showed his gifts by making the concert scenes come to life.
Liberace’s Final Act
Several years after his relationship with Scott imploded, Liberace
died of AIDS-related complications — but not before bringing Scott back
to his mansion to visit one last time. Looking emaciated, Michael’s
rapport with Matt showcases some of their finest acting ever. Love, loss
and anger are rarely portrayed with such honesty, and it’s a sobering
end to an otherwise rollicking production.

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